I’m very keen on books that incorporate music into the story and I’m not fussy about the format it takes. Things I love: literary mix tapes; words put to song; songs put to words; and authors who include playlists in end-notes. So, of course I was going to read Laura Barnett’s latest, Greatest Hits.
Greatest Hits is a fictional memoir. Singer-songwriter Cass Wheeler reflects on her life by choosing sixteen tracks that define her. Each chapter begins with the lyrics to one of her songs, followed by Cass’s account of important events in her life. Cass’s childhood, in particular her relationship with her mother, sets the foundation for an interesting story, and it moves on to her troubled teen years, her discovery of music, her rise to fame, and her tumultuous relationship with fellow musician, Ivor. Continue reading
01. How INSANE is this clip of storm clouds? So much cloud-spotting envy right there… Continue reading
Any book that begins with a playlist and an introduction by Nik Kershaw is obviously going on my reading list.
A quick Nik Kershaw refresher before I get into the nitty-gritty of 100 RPM – One Hundred Stories Inspired By Music, edited by Caroline Smailes –
And a little reminder of when I met him… Continue reading
Cathy at 746 Books is hosting the 20 Books of Summer reading challenge again this year. I’m joining in, with a particular effort to read from my stacks of hard copies. The challenge is straightforward – read twenty books between June 1st and September 3rd. Continue reading
From the very beginning of The Wonder, author Emma Donoghue sets up clear foci for narrative drama – the English versus the Irish; science and logic versus folklore and superstition; a single woman versus a group of powerful men; fundamentalism and faith versus common sense and love – and uses the phenomenon of the Victorian-era ‘fasting girls’ to explore these themes.
Eleven-year-old Anna O’Donnell hasn’t eaten for four months, yet remains alive and well. Newspaper reports proclaiming Anna’s existence a miracle; visits and donations from people paying homage; and the curiosity of doctors and priests, prompts the employment of a British nurse, Lib Wright, to investigate whether Anna is a fraud. Lib, an atheist and a highly experienced nurse, is dismissive of the religious devotion and folklore that drives the small town, and believes she will quickly expose the secret feeding of Anna. Continue reading
Some thoughts about The Museum of Modern Love by Heather Rose (read the blurb here) –
01. This is easily one of the most original stories I’ve read. Ever. Continue reading
New sub-genre alert: refugee-magic-realism. Continue reading
Emily Maguire’s An Isolated Incident is the story of a brutal murder in a rural Australian town. The victim, Bella Michaels, was a much-loved member of the community and her death stuns not only those that knew her but the whole nation. Her sister, Chris, is left to grieve, search for answers, and deal with the growing media interest in Bella’s death.
I’ll get straight to the point – I didn’t care for this book at all. Am I wrong to have immediately thought that the story exploited the Jill Meagher case? And that there was a hint of treading the same path as Charlotte Wood’s The Natural Way of Things? Continue reading
There’s all sorts of reasons why I don’t feel I’m in a position to comment on Julia Leigh’s Avalanche, an account of her experience with IVF. However, Leigh makes a statement early in her memoir that made me pause and think –
“In the public imagination – as I perceive it – there’s a qualified sympathy for IVF patients, not unlike that shown to smokers who get lung cancer. Unspoken: ‘You signed up for it, so what do you expect…?'”
“Qualified sympathy” – it’s an interesting phrase. Have I ever been guilty of qualified sympathy? Probably, although certainly not in relation to someone’s desire to have a baby. It’s these kind of gritty bits that lodged as I was reading Avalanche. Continue reading
Marguerite Duras’s The Lover is the second book I’ve read in as many weeks that’s a memoir, thinly disguised as a novel (the other being by Lily Brett).
The story is set in Saigon in the 1930s, and describes the tumultuous affair between a relatively poor adolescent French girl and her wealthy, older Chinese lover. Interspersed between details of their clandestine meetings are descriptions of the unnamed narrator’s mother – headmistress of a girls’ high school and prone to bouts of depression, and her wayward brothers. Continue reading