Second Generation Narratives
My third day at MWF started with an incredibly impressive panel – Randa Abdel-Fattah, Maxine Beneba Clarke, AS Patrić and Alice Pung (chaired by Arnold Zable) – discussing the second-generation Australian experience and how it’s reflected in literature. Continue reading
Clearly August equates to sensational reading. Every book on this month’s rewind is sensational. Really, truly sensational. Continue reading
01. Are we excited about the Man Booker 2017 longlist? I’ve read two (Exit West – didn’t like it much at all; Swing Time – loved some bits, other bits not so much) and have one more in the reading pile (The Underground Railroad). I’m intrigued by 4 3 2 1 and Lincoln in the Bardo. Tell me who you think will win and I’ll endeavour to read those before it’s announced so I can feel smug about being ahead of the curve 🙂 Continue reading
A quick review of two very different books – perhaps unfair to lump these together but my blogging has not kept up with my reading during the last month, so I’m catching up. Continue reading
From the very beginning of The Wonder, author Emma Donoghue sets up clear foci for narrative drama – the English versus the Irish; science and logic versus folklore and superstition; a single woman versus a group of powerful men; fundamentalism and faith versus common sense and love – and uses the phenomenon of the Victorian-era ‘fasting girls’ to explore these themes.
Eleven-year-old Anna O’Donnell hasn’t eaten for four months, yet remains alive and well. Newspaper reports proclaiming Anna’s existence a miracle; visits and donations from people paying homage; and the curiosity of doctors and priests, prompts the employment of a British nurse, Lib Wright, to investigate whether Anna is a fraud. Lib, an atheist and a highly experienced nurse, is dismissive of the religious devotion and folklore that drives the small town, and believes she will quickly expose the secret feeding of Anna. Continue reading
It’s time for #6Degrees and it’s a cinch to play – please join in! Continue reading
The Good People, Hannah Kent’s second novel, tells the story of three women living in a remote Irish valley in 1825. Nora Leahy, a widow, is burdened with the care of her grandson, Michael. The boy cannot walk or speak and Nora has kept him hidden from neighbours, fearing they will believe him a ‘changeling’ (someone who has been abducted by fairies). Nora employs a young girl, Mary, to care for Michael but as the child becomes increasingly difficult to manage, Nora seeks the help of Nance Roche, an old woman known as a doctress –
“The keener. The handy woman… She was both the woman who brought babies to safe harbour in the world, and the siren that cut boats free of their anchors and sent them into the dark.
…she stood in for that which was not and could not be understood. She was the gatekeeper at the edge of the world. The final human hymn before all fell to wind and shadow and the strange creaking of stars.“ Continue reading
01. I’m probably going to drink this a million times this summer. Continue reading
Last night I had the great pleasure of hearing Hannah Kent introduce her new book, The Good People. Actually, that sounds too grown-up – I was super-excited. I’ve been anticipating this book for years (seriously) and was thrilled to finally get my hands on it.