I’m very keen on books that incorporate music into the story and I’m not fussy about the format it takes. Things I love: literary mix tapes; words put to song; songs put to words; and authors who include playlists in end-notes. So, of course I was going to read Laura Barnett’s latest, Greatest Hits.
Greatest Hits is a fictional memoir. Singer-songwriter Cass Wheeler reflects on her life by choosing sixteen tracks that define her. Each chapter begins with the lyrics to one of her songs, followed by Cass’s account of important events in her life. Cass’s childhood, in particular her relationship with her mother, sets the foundation for an interesting story, and it moves on to her troubled teen years, her discovery of music, her rise to fame, and her tumultuous relationship with fellow musician, Ivor. Continue reading
If you have a neat row of Lonely Planet titles on your bookshelf – their bright blue spines and bold white lettering proclaiming exotic locations – then you ought to read Michelle de Kretser’s novel, Questions of Travel. Anyone who has sought an ‘authentic experience’, ‘immersed themselves’ in the culture of another country or thought they were ‘off the beaten track’ is likely to squirm –
“…the fraudulence of souvenirs that suggested pleasure while commemorating flight.”
“France – well, France had always been blighted by the necessary evil of the French. But if only Laura had seen Bangkok before the smog/ Hong Kong before the Chinese/ Switzerland before the Alps/ the planet before the Flood.” Continue reading
Sometimes you get more ‘enjoyment’ thinking about a book after you’ve finished it, rather than while you’re actually reading it. I use the word ‘enjoyment’ loosely because the post-book thinking I’ve done about Conrad & Eleanor by Jane Rogers has been about how irritating the characters were rather than what was intended (reflections on a dying marriage).
The story is moral-thriller. Conrad and Eleanor have been married for decades. Both are scientists yet Conrad is more interested in their four children than his work, while ambitious Eleanor is focused on her career. When Conrad fails to return from a conference in Munich, Eleanor begins to speculate as to why – her affairs? His jealousy over her career success? His discovery of their daughter Cara’s parentage? Meanwhile, Conrad finds himself in Italy, on the run from a crazed animal rights activist. He has lots of time to think. It’s a hot mess. Continue reading
A quick review of two very different books – perhaps unfair to lump these together but my blogging has not kept up with my reading during the last month, so I’m catching up. Continue reading
Fairly sure I said something about not reading much about the Holocaust in the last decade or so because I overdid it in the eighties and nineties… Anyway, seems that went out the window when I read The Street Sweeper by Elliot Perlman and The Toy Maker by Liam Pieper, one after the other.
The books are similar in many ways – both tell the story of an Australian man living in the present alongside the story of a Holocaust survivor; both are set in the ‘Canada’ barracks at Auschwitz–Birkenau and examine the role of the Sonderkommando; both have themes of good versus evil, penance, and the measure of crime; both show that there are lessons in history.
“History can provide comfort in difficult or even turbulent and traumatic times. It shows us what our species has been through before and that we survived. It can help to know we’ve made it through more than one dark age. And history is vitally important because perhaps as much as, if not more than biology, the past owns us and however much we think we can, we cannot escape it. If you only knew how close you are to people who seem so far from you… it would astonish you.” (Perlman)
Stories about people in apartment buildings are a bit like stories about groups of school mates for me – you invariably have a mixed bunch of characters who are tied together because they have one (physical) thing in a common – a building. I generally quite like these stories, which is why I picked up Fran Cooper’s These Dividing Walls (the very pretty cover also swayed me).
These Dividing Walls is about a particular apartment building in Paris. It’s described beautifully, just as I imagine the quintessential apartment building in Paris to be – a courtyard, heavy wooden doors, flower boxes, winding staircases, a garret room at the top and, the pièce de résistance, a bookshop at the bottom. Continue reading
Five thoughts about The Impossible Fortress by Jason Rekulak –
01. It’s full of glorious eighties details (so beautifully accurate that I’m wondering if it’s a tiny bit autobiographical…?).
We played marathon games of Risk and Monopoly that dragged on for days and always ended with one angry loser flipping the board off the table. We argued about music and movies; we had passionate debates over who would win in a brawl: Rocky Balboa or Freddy Krueger? Bruce Springsteen or Billy Joel? Magnum P.I. or T. J. Hooker or MacGyver?*
Sometimes a book comes along at exactly the right time and it’s exactly the book you want to read. Such was the case with Georgia Blain’s Between a Wolf and a Dog.
The story takes place predominantly over one rainy day. Ester is a single mother to twin girls and works as a family therapist.
“It’s rare that she hears about love in her consulting room. Most of her clients talk of anger, failure, boredom, depression, conflict: the flipside of love.”
Although Ester spends her days helping others find happiness, her own family relationships are in disarray. She’s estranged from her directionless sister, April, and also from her ex-husband, Lawrence, whose reckless decisions are catching up with him. Ester and April’s mother, Hilary, is desperate for her daughters to reconcile.
The delicacy and brilliance of this book is captured in the title, translated from the French phrase, ‘l’heure entre chien et loupe’. Literally, ‘the hour between dog and wolf’, it refers to twilight, the time when distinguishing between a dog and a wolf might be tricky. The title reveals the duality of Blain’s story – friend and foe; outward calm and inner turmoil; what to discard and what to keep; safety and danger; what we reveal and what we keep hidden. Continue reading
From the very beginning of The Wonder, author Emma Donoghue sets up clear foci for narrative drama – the English versus the Irish; science and logic versus folklore and superstition; a single woman versus a group of powerful men; fundamentalism and faith versus common sense and love – and uses the phenomenon of the Victorian-era ‘fasting girls’ to explore these themes.
Eleven-year-old Anna O’Donnell hasn’t eaten for four months, yet remains alive and well. Newspaper reports proclaiming Anna’s existence a miracle; visits and donations from people paying homage; and the curiosity of doctors and priests, prompts the employment of a British nurse, Lib Wright, to investigate whether Anna is a fraud. Lib, an atheist and a highly experienced nurse, is dismissive of the religious devotion and folklore that drives the small town, and believes she will quickly expose the secret feeding of Anna. Continue reading