Call me a stickybeak (I call it curious / deeply interested) but I love memoirs. I want to understand the emotional context of situations that would otherwise be completely foreign to me.
Medical memoirs occupy a bit of a tricky spot in the memoir market because they usually appeal predominantly to people who are experiencing a similar thing – it makes sense to read about other people’s experience to make sense of your own. While you’ll usually find me in the ‘misery memoirs’ section, I do occasionally stray and Deb Brandon’s But My Brain Had Other Ideas is such an example. Continue reading
Seems people have strong feelings about celebrity memoirs (usually along the lines of ‘Haven’t you had enough of the spotlight already?!’). I don’t seek them out but nor do I avoid them. I picked up Mara Wilson’s Where Am I Now? because she was appearing at the 2018 Melbourne Writers Festival.
Wilson’s name might not be instantly recognisable but her six-year-old face is. She was the ‘cute’ little star of Mrs Doubtfire and Matilda, as well as many other films and television shows (including Melrose Place!). As the title of the book suggests, Wilson tackles what happens after the ‘cute’ is over (seemed no one wanted Matilda with boobs…). Continue reading
17% of Australian women aged 15 years and over will experience sexual assault.
1 in 6 assaults reported to police result in a conviction (so this says nothing about all the cases that are not reported).
In a legal system where the accused perpetrator may choose to say nothing and the victim must relive their trauma over and over and over again in the witness-box; be cross-examined; and have their ‘story’ judged by a jury, you can only think, “Why would you go through it?”.
Bri Lee did. Eggshell Skull is her harrowing story. Continue reading
Sample Saturday is when I wade through the eleventy billion samples I have downloaded on my Kindle. I’m slowly chipping away and deciding whether it’s buy or bye. This week, all three books are titles from my ‘I’m waiting for…’ list. Continue reading
To be perfectly frank, the Australian gold rush history I learnt at school was dull. We suffered through it for the excursion to Sovereign Hill, of which the highlights were having personalised ‘Wanted’ posters printed and spending a vast amount of money on boiled lollies. I’m sure we covered stuff about living conditions, the growth of Ballarat, and the far-reaching effects of the miners’ protests about compulsory licences… I probably filed it under ‘Oh yeah, that was the Eureka Stockade‘, and moved on to Sovereign Hill’s chief attraction – panning for gold.
Imagine if I’d been taught from Clare Wright’s The Forgotten Rebels of Eureka? It’s a spectacular, riveting book that gives an account of the events leading up to the Eureka Stockade from the perspective of individual women on the gold fields. Until Wright’s book, women had been left out of the Gold Rush and Eureka story, despite the fact that they played a significant role and in turn shaped Victorian history. Continue reading
John Irving’s memoir, My Movie Business, is a book that will appeal to the narrowest of audiences: hard-core John Irving fans and/or people interested in screenwriting. Fall outside of those groups and you’ll probably find this book self-indulgent.
My Movie Business is Irving’s account of the long, frustrating process of turning a book into a screenplay, and a screenplay into a movie – in this case, the book/movie was The Cider House Rules. Over the course of its thirteen year development, the movie had two producers, four directors and countless rewrites (which were all done by Irving at the behest of the producers and directors). When the movie was finally complete, it was perfection – that’s my opinion but critics agreed and it won two Academy Awards in 2000 – Irving for Best Adapted Screenplay and Michael Caine for Best Supporting Actor. It was also nominated for Best Picture (but lost to American Beauty). Continue reading
Educated by Tara Westover is a memoir about domestic violence (the story about a Mormon girl getting an education is secondary).
I’m unapologetic about that spoiler and feel cranky that publicists and reviewers have failed to mention, or have simply skimmed over, the horrific physical, psychological and financial abuse that dominates Westover’s memoir.
According to the blurb, the book focuses on Westover’s childhood and early adulthood, and her experiences growing up with survivalist Mormon parents in the mountains of Idaho.
I am only seven, but I understand that it is this fact, more than any other, that makes my family different: we don’t go to school. Continue reading
Sample Saturday is when I wade through the eleventy billion samples I have downloaded on my Kindle. I’m slowly chipping away and deciding whether it’s buy or bye. Continue reading
It’s ludicrous that I haven’t read In Cold Blood by Truman Capote until now. I thought I was the only person who hadn’t read it (although Bonnie fessed up that she hasn’t either).
There’s nothing left to say about this book – it’s genre-defining; it’s clearly a touchstone for many books since (I’m looking at you We Were the Mulvaneys); it’s absolutely gripping; and it’s beautifully written.
So instead of a review, I’m going to retell the story in songs. Of course, you’ll understand my sequence of choices because you’ve read the book. Note: the Flashdance inclusion is relevant for the song title only! Continue reading
I saw author Jenny Valentish speak at last year’s Melbourne Writers Festival. At the time, I hadn’t read her memoir, Woman of Substances – I often wonder how much my thoughts about a book are influenced by hearing the author speak before I’ve read it. Invariably their passion and post-publication reflections rub-off, and I go into the reading experience ‘looking out’ for certain things, which is why I left Woman of Substances almost a year before picking it up.
Woman of Substances is a memoir-research hybrid. Valentish uses her own experience of drugs and alcohol to explore how women deal with addiction and treatment. There are two main threads in the book – firstly, Valentish examines how trauma and self-destructive behaviours – such as eating disorders and high-risk sex – complicate substance use for women.
There’s an illusion of power in being as sexually aggressive as men are allowed to be, but it can sometimes take a stupefying blood-alcohol level to override the misgivings. Continue reading